One of the most important figures in contemporary photography is the New Yorker Helen Levitt. For over 60 years her quiet, poetic photographs made on the streets of the city she has inhabited for most of her life have inspired and amazed generations of photographers, students, collectors, curators, and lovers of art in general. Throughout her long career, Helen Levitt’s photographs have consistently reflected her poetic vision, humor, and inventiveness as much as they have honestly portrayed her subjects—men, women, and children living it out on the streets and among the tenements of New York.
One of the tribute’s highlights will be a selection of never-before-exhibited “first proofs.” These early documents of her working methods are often unique. Some are vintage, others were printed as late as the 1970’s, but all were printed by Helen in her bathroom that doubled as the darkroom. Often they are variants of iconic images, and often they are sequences of several shots taken at the same time. They all reveal the photographer’s “dance” as she observes boys climbing up a tree, a large family gathering on the front stoop, two men seated beside a curious cat, or four boys peering into a pool hall. In combination with the film In the Street, the early sequences reinforce her reputation as a cinematographer, and are genuine and valuable records of the working methods of a canny and poetic photographer.
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